The first reaction to Paradise & Elsewhere: thanks to Charlene Van Buekenhout for a great review, and for the care she takes not to spoil readers’ experiences of the stories by giving away too much.
“…realistic, feminist, apocalyptic, fairytale, cautionary tale, origin story, mystery. She’s got it all, and she is unapologetic about delivering the goods. Author Kathy Page gifts us this incredible collection marking a departure in style for her. She has no trouble fitting in, as though she’d been writing like this for centuries…”
A book about imagined lives, imagined world circumstances, with outcomes imagined using some of our own realities to create clear connections to our own times? I know what you’re thinking: really original — “imagined” worlds? That’s what writers do, right? Well, not like Kathy Page does.
All at once the stories in this collection are realistic, feminist, apocalyptic, fairytale, cautionary tale, origin story, mystery. She’s got it all, and she is unapologetic about delivering the goods. Author Kathy Page gifts us this incredible collection marking a departure in style for her. She has no trouble fitting in, as though she’d been writing like this for centuries.
Yes, centuries. One of the major themes in this book is beginnings. The beginning of a civilization, the beginning of Man (after Woman), or the beginning of the end of the world, or of a relationship. Many of the stories have an ancient feel to them, like parables without lessons. Change, too, is a constant theme throughout, like perpetual Spring (if it ever arrives). So even though the stories deliver some dire news, there is always a little hope buried in there to feel out and hold close, to carry through the journey of the book. In The Ancient Siddanese, Page seems to tell us what she has intended:
I feel how in these last hot days and years the world is full of parables, prefiguration and correspondence. Even half-truths or outright lies hide lessons and examples, and somewhere, beneath one of these dry stones, curled like a bug, is hope.
The first few stories, G’Ming, Lak-ha, and The Ancient Siddanese rely on imagined locations to force us to engage in the story without the layer of real circumstance, economy, politics or history of a real world place. These ancient or underdeveloped places are then fast forwarded to our present technology, greedy, convenience driven, self-destructive times, contrasting sparseness, necessity, and inconvenience with their opposites. Saving Grace is near the end of the collection, but its apocalyptic feel, complete with a desolate future landscape and jaded humans, fits in with these first three. This one involves the media in pursuit of “The Truth. Here. Cheap, Plus free gift!” It highlights the great themes of sensationalism, greed, and destructive curiosity. Plus, free gift, right?